In three parts, Jameson presents the postmodern problem of Utopia, attempting to diagnose the cultural present and to open a perspective on the future of a world that is all but impossible to predict with any certainty -- "a telling of the future," as Jameson calls it, "with an imperfect deck."

In three parts, Jameson presents the postmodern problem of Utopia, attempting to diagnose the cultural present and to open a perspective on the future of a world that is all but impossible to predict with any certainty -- "a telling of the future," as Jameson calls it, "with an imperfect deck."

Long considered the foremost American Marxist theorist, Fredric Jameson continues his investigation of postmodernism under late capitalism in The Seeds of Time. In three parts Jameson presents the problem of Utopia, attempting to diagnose the cultural present and to open a perspective on the future of a world that is all but impossible to predict with any certainty - "a telling...(展开全部)

'Every family is a ghost story ...' As a child, Charley Benetto was told by his father, 'You can be a mama's boy or a daddy's boy, but you can't be both.' So he chooses his father, only to see him disappear when Charley is on the verge of adolescence. Decades later, Charley is a broken man. His life has been destroyed by alcohol and regret. He loses his job. He leaves his famil...(展开全部)

若泽·萨拉马戈（José Saramago，1922-2010） 葡萄牙作家。1947年出版首部小说《罪孽之地》，1995年获葡萄牙语文学最高奖项卡蒙斯文学奖。1998年，因其“充满想象、同情和讽喻的寓言故事，不断地使我们对虚幻的现实加深理解”，被授予诺贝尔文学奖。 萨拉马戈的作品风格独特，内涵深刻，作品主题大多关心的是人类的命运与世界的前途。写作手法上，他创立了一种充满想象、隐喻和讽刺的小说类型，赢得了无数读者的赞誉。 他一生创作了数十部小说和其他文学作品，已经被翻译成30多种语言，总销售超过350万册，主要作品包括《修道院纪事》《里卡尔多·雷耶斯离世那年》《所有的名字》《石筏》等。

Cipriano Algor, an elderly potter, lives with his daughter Marta and her husband Marçal in a small village on the outskirts of The Center, an imposing complex of shops, apartment blocks, offices, and sensation zones. Marçal works there as a security guard, and Cipriano drives him to work each day before delivering his own humble pots and jugs. On one such visit, he is told not ...(展开全部)

Cipriano Algor, an elderly potter, lives with his daughter Marta and her husband Marcal in a small village on the outskirts of The Center, an imposing complex of shops, apartments, and offices to which Cipriano delivers his pots and jugs every month. On one such trip, he is told not to make any more deliveries. Unwilling to give up his craft, Cipriano tries his hand at making c...(展开全部)